By
1995 my work was changing from reportage watercolours made on
the spot in public to semi-abstract pieces in oil on canvas. The
hectic pace of painting from life in public was in great contrast
to the way I work today, peacefully in the studio.
I
began this series after my first visit to Granada and Seville,
places which seemed oddly familiar to me, almost as though I
already held them in my memory.